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Mark Ruwedel
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b. Bethlehem, PA, 1954

  • EDUCATION

    • 1983

      • M.F.A. Concordia University, Montreal, Quebec
    • 1978

      • B.F.A. Kutztown State College, Kutztown, Pennsylvania
  • ACADEMIC POSTS

      • Assistant Professor, California State University, Long Beach, CA, 2002-present
      • Associate Professor, Concordia University, Montreal, Canada, 1984-2001
      • Guest Faculty, Nova Scotia College of Art and Design, halifax, Canada, Summer, 2000
      • Documentary Photographer, King County Office of Historic Preservation, Seattle, WA, 1983-1984, 1986
      • Custom Printer, V.I.P. Color, Bethlehem, PA, 1979-1980
  • SOLO EXHIBITIONS

    • 2016

      • Yossi Milo Gallery, New York, NY
    • 2015

      • Scotiabank Photography Award, Ryerson Image Centre, Toronto, Canada
      • Pictures of Hell, Gallery Luisotti, Santa Monica, CA
    • 2012

      • Dusk, Haggerty Museum of Art, Marquette University, Milwaukee, WI
      • Records, Yossi Milo Gallery, New York, NY
      • Shelter, Crisp-Ellert Art Museum, Flagler College, St. Augustine, FL
    • 2010

      • Imprints: Photographs by Mark Ruwedel, Peabody Essex Museum, Salem, MA
      • Transphotographiques, Palais Rameau, Lille, France
    • 2009

      • Westward the Course of Empire, Yossi Milo Gallery, New York, NY
    • 2008

      • Mark Ruwedel, Gallery Luisotti, Santa Monica, CA
      • Earth Work, Nevada Museum of Art, Reno, NV
      • Nouvelles images, Galerie Francoise Paviot, Paris, France
    • 2007

      • Shelter, Stephen Bulger Gallery, Toronto, Canada
    • 2006

      • Mark Ruwedel, Gallery Luisotti, Santa Monica, CA
      • University of Sherbrooke, Sherbrooke, Quebec, Canada
      • Mark Ruwedel: Written on the Land, Musee d’art de Joliette, Joliette, Quebec, Canada
    • 2005

      • Westward, Stephen Bulger Gallery, Toronto, Canada
      • Orange Coast College, Costa Mesa, CA
      • Carleton University, Ottawa, Canada
    • 2004

      • Written on the Land, Winnipeg Art Gallery, Winnipeg, Manitoba, Canada
      • MacKenzie Art Gallery, Regina, Saskatchewan, Canada
      • Mark Ruwedel: Written on the Land, Art Gallery of Windsor, Windsor, Ontario, Canada
    • 2003

      • Selections from the Ice Age Project, Gallery Luisotti, Santa Monica, CA
      • Art Gallery of the South Okanagan, Penticton, British Columbia, Canada
      • Southern Alberta Art Gallery, Lethbridge, Alberta, Canada
      • Illingworth Kerr Gallery, Alberta College of Art and Design, Calgary, Alberta, Canada
      • Art Gallery of the South Okanogan, Penticton, British Columbia, Canada
      • Southern Alberta Art Gallery, Lethbridge, Alberta, Canada
    • 2002

      • Mark Ruwedel: Written on the Land, Presentation House Gallery, North Vancouver, British Columbia, Canada
      • Mark Ruwedel, Blue Sky Gallery, Portland, OR
    • 2001

      • Mark Ruwedel, Stephen Bulger Gallery, Toronto, Canada
      • (solo), Gallery Luisotti, Santa Monica, CA
    • 2000

      • Anna Leonowens Gallery, NSCAD, Halifax, Nova Scotia, Canada
    • 1998

      • Galerie Francoise Paviot, Paris, France
      • (solo), Chinati Foundation: Installation for Art and Architecture Symposium, Marfa, TX
    • 1997

      • Washington State University, Pullman, WA
      • Mark Ruwedel: Along the Shores of Departed Lakes, Stephen Bulger Gallery, Toronto, Ontario, Canada
    • 1996

      • (solo), Allentown Art Museum, Allentown, PA
      • North Central Washington Museum, Wenatchee, WA
      • Kittredge Gallery, University of Puget Sound, Tacoma, WA
    • 1995

      • Mark Ruwedel: The Navigator Has Safely Landed in the New World, Saint Mary’s University, Halifax, Nova Scotia, Canada
      • Galerie Art 45, Montreal, Canada
      • Galerie Francoise Paviot, Paris, France
      • Eastern Washington University, Cheney, WA
    • 1994

      • Doris E. Roberts Gallery, Richland Public Library, Richland, WA
      • Springville Art Museum, Springville, UT
      • The Hanford Stretch, Sheehan Gallery, Whitman College, Walla Walla, WA
    • 1993

      • Galerie Vox, Montreal, Canada
    • 1992

      • Canadian Museum of Contemporary Photography, Ottawa, Canada
    • 1991

      • Galerie Barbara Silverberg, Montreal, Canada
    • 1990

      • Cinematheque Quebecoise, Montreal, Canada
      • Heritage Montreal, Montreal, Canada
    • 1989

      • Massachusetts College of Art, Boston, MA
      • Galerie Art 45, Montreal, Canada
    • 1988

      • King County Arts Commission Gallery, Seattle, WA
      • Toronto Image Works, Toronto, Canada
    • 1987

      • Concordia University Art Gallery, Montreal, Canada
    • 1985

      • Galerie Dazibao, Montreal, Canada
      • Donnally/Hayes Gallery, Seattle, WA
    • 1983

      • Photographies, Galerie Optica, Montreal, Canada
    • 1982

      • The New Brunswick Craft School, Fredericton, New Brunswick, Canada
      • University of Ottawa, Ottawa, Canada
  • GROUP EXHIBITIONS

    • 2016

      • About Time: Photography in a Moment of Change, San Francisco Museum of Modern Art, San Francisco, CA
      • After Industry, Fotofocus Biennial 2016, Alice F. and Harris K. Weston Art Gallery, Cincinnati, OH
    • 2015

      • The Memory of Time: Contemporary Photographs at the National Gallery of Art, Acquired with the Alfred H. Moses and Fern M. Schad Fund, The National Gallery of Art, Washington, DC
    • 2014

      • American Scene Photography: Martin Z. Margulies Collection, NSU Museum of Art Fort Lauderdale, Fort Lauderdale, FL
      • Following the Prescribed Path, Laband Art Gallery, Loyola Marymount University, Los Angeles, CA
    • 2013

      • Staking Claim: A California Invitational, Museum of Photographic Arts, San Diego, CA
      • New West: Contemporary Landscape Photography, Fralin Museum of Art in Charlottesville, VA
      • Land Marks, Metropolitan Museum of Art, New York, NY
    • 2012

      • Builders: Canadian Biennial, National Gallery of Canada, Ottawa, Ontario, Canada
      • The Permanent Way, Apex Art, New York, NY
      • L’Arbe et le photographe, Beaux-arts de Paris, L’Ecole Nationale Superieure, Paris, France
    • 2011

      • Elsewhere: Future Landscapes, Here is Elsewhere Gallery, West Hollywood, CA American Landscape: Contemporary Photographs of the West, Joslyn Art Museum, Omaha, NE
      • Rhapsodies Nucleaires, Galerie Francoise Paviot, Paris, France
      • The Atomic Photographers Guild, Sol Mednick Gallery, University of the Arts, Philadelphia, PA
      • The Altered Landscape: Photographs of a Changing Environment, Nevada Museum of Art, Reno, NV
      • Aftershocks, California Museum of Photography, University of California Riverside, Riverside, CA
      • Discovery Award Exhibition, Les Rencontres d’Arles, Arles, France
      • Our Origins, Museum of Contemporary Photography, Columbia College, Chicago, IL
      • California: Adulterated Landscapes and Deflated Icons, Raid Projects, Los Angeles, CA
      • Points of View, Les Recontres d’Arles 2011, Arles, France
      • Conversations: Photography from the Bank of America Collection, Museum of Fine Arts, Boston, Boston, MA
      • Noir, Art 45, Montreal, Canada
    • 2010

      • Masterworks of American Photography, Amon Carter Museum, Fort Worth, TX
      • Edge of Town, Equinox Gallery, Vancouver, Canada
      • A Grand View: Arizona Landscape Photography,1871-2010, Etherton Gallery,Tucson, AZ
      • Exposed: Voyeurism, Surveillance and the Camera, The Tate Modern, London, UK
      • Photographing the American West, Palm Springs Art Museum, Palm Springs, CA
      • Visions of British Columbia: A Landscape Manual, Vancouver Art Gallery, Vancouver, Canada
      • Critical Messages, Western Gallery, Western Washington University, Bellingham, WA
      • Framing the West: The Survey Photographs of Timothy O'Sullivan, Smithsonian American Art Museum, Washington, DC, 2010
      • Pieces of Nine, University Art Museum, California State University, Long Beach, CA
      • After Robert Adams, Vancouver Art Gallery, Vancouver, Canada
      • Permanent Collection, San Francisco Museum of Modern Art, San Francisco, CA
    • 2009

      • Night-Town, Gallery Luisotti, Santa Monica, CA
    • 2008

      • You Have Seen Their Faces, Gallery Luisotti, Santa Monica, CA
      • Oikos/Habitacles, SBC Gallery of Contemporary Art, Montreal, QC, Canada
      • Photographies scientifiques, Galerie Francoise Paviot, Paris, France
    • 2007

      • Time in the West: Photographs by Mark Klett & Byron Wolfe and Mark Ruwedel, The Nelson Atkins Museum of Art, Kansas City, MO
      • Nelson-Atkins Museum, Kansas City, MO
      • Re-SITE-ing the West, Los Angeles County Museum of Art, Los Angeles, CA
      • On Death and Dying, Gahlberg Gallery, College of DuPage, Glen Blyn, IL
      • Landscape: Fact and Fiction, William Benton Museum of Art, University of Connecticut, Storrs, CT
      • Ingenuity, Photography and Engineering, 1845-2005, Calouste Foundation, Lisbon, Portugal
    • 2006

      • The Road to Utopia, Vancouver Art Gallery, Vancouver, Canada
      • Histoires de Chaussure, 100 photographes, Maison Artcurial, Paris, France
      • The Earth, Houston FotoFest, Houston, TX
      • A Complex Eden: Photographs of the American West, Museum of Fine Arts, St. Petersburg, FL
    • 2005

      • Imaging a Shattering Earth, Meadow Brook Art Gallery, Oakland University, Rochester, MI
      • Contemporary Desert Photography: The Other Side of Paradise, Palm Springs Art Museum, Palm Springs, CA
      • 1995 - 2005, Galerie Francoise Paviot, Paris
      • Real Pictures: Photographs from the Collection of Claudia Beck and Andrew Gruft, Vancouver Art Gallery, Vancouver, Canada
      • Tree, Gallery Luisotti, Santa Monica, CA
    • 2004

      • Picturing the Land: From the Sublime to the Document, Art Gallery of Ontario, Toronto, Canada
      • Faces, Places, Traces: New Acquisitions, National Gallery of Canada, Ottawa, Canada
      • The Altered Landscape: The Nevada Museum of Art Collection, Presentation House Gallery, North Vancouver, Canada
      • Lewis and Clark Territory, Tacoma Art Museum, Tacoma, WA
      • Consuming Nature, Museum of Contemporary Photography, Columbia College, Chicago, IL
      • Crime Scene, Stephen Bulger Gallery, Toronto, Canada
    • 2004/3

      • Consuming Nature, Museum of Contemporary Photography, Columbia College, Chicago, IL
    • 2003

      • Shorelines: Responding to Place, MacLaren Art Centre, Barrie, Ontario, Canada
      • Temporal Surfaces, Vancouver Art Gallery, Vancouver, Canada
      • Histories of Photography, Frances Lehman Loeb Art Center, Vassar College, Poughkeepsie, NY
      • Rocks and Stones, Photographic Archives of the City of Lisbon, Lisbon, Portugal
      • The New World’s Old World, Axa Gallery, New York, NY
      • Industry and Entropy, Freedman Gallery, Albright College, Reading, PA
    • 2002

      • Photo Works from the Museum of Contemporary Canadian Art, Art Gallery of Windsor, Windsor, Ontario, Canada
      • Animal Logic, Stephen Bulger Gallery, Toronto, Canada
      • Re-Viewing Photography: The Photo Review at 25, The Rosenwald-Wolf Gallery, University of the Arts, Philadelphia, PA
      • Railroad Vision, The J. Paul Getty Museum, Los Angeles, CA
    • 2001

      • Visibility and Invisibility in the Nuclear Era, Toronto Photographers Workshop, Toronto, Canada (Touring)
      • Nous n’irons plus au bois, Galerie Francoise Paviot, Paris, France
      • White, Stephen Bulger Gallery, Toronto, Canada
    • 1999

      • L’Evocation, Le Mois de la Photo a Montreal, Montreal, Canada
      • From Tornadoes to Tractors: Photographers of the Rural Landscape, Whatcom Museum, Bellingham, WA
      • Vie de Chien, Galerie Mistral, Montreal, Canada
      • The Altered Landscape, Nevada Museum of Art, Reno, NV (Touring)
    • 1998

      • The Paving of Paradise, Seattle Art Museum, Seattle, WA
      • Reve d’Egypte, Mona Bismarck Foundation, Paris, France
      • Poetic Evidence, National Gallery of Art, Ottawa, Canada
    • 1997

      • Landscapes: Denis Farley and Mark Ruwedel, Stephen Bulger Gallery, Toronto, Canada
      • Water: The Renewable Metaphor, University of Oregon Museum of Art, Eugene, OR
      • Work, Workers, Works: Rearranging the Land, Dalhousie University Art Gallery, Halifax, Nova Scotia, Canada
    • 1996

      • Crossing the Frontier, San Francisco Museum of Modern Art, San Francisco, CA
      • Around Wendover, Center for Land Use Interpretation, Wendover, UT
      • Before the Land, Behind the Camera, Canadian Museum of Contemporary Photography, Ottawa, Canada (Touring)
      • Illuminating the Story of Projection, Cinematheque Quebecoise, Montreal and National Museum of Science and Technology, Ottawa, Canada
      • Images of the Great Salt Lake, Utah Museum of Fine Arts, Salt Lake City, UT
    • 1995

      • Shadow of the Cloud, Portland Art Museum, Portland, OR
      • Fragile Landscapes, Center for Photography at Woodstock, Woodstock, NY
    • 1994

      • Re: Place, Portland Community College, Portland, OR
    • 1993

      • Crossing Territories, Museum of New Mexico, Santa Fe, NM
    • 1992

      • Selections 6, Polaroid Collections, Photokina 92, Cologne, Germany
      • Atomic Photographers Guild, International Radiation Victims Conference, Berlin; World Uranium Hearings, Salzburg, Germany, (Touring Germany)
      • Montreal: Ville de Cinema, Cinematheque Quebecoise, Montreal, Canada
    • 1991

      • Paysage/Paysages, Galerie Occurance, Montreal, Canada
    • 1990

      • Selections 5, Polaroid Collections, Photokina 90, Cologne, Germany
      • The Landscape: Eight Canadian Photographers, McMichael Canadian Art Collection, Kleinburg, Ontario, Canada (Touring)
    • 1989

      • Une Ville en heritage/memoire photographique, Maison de la Culture Marie-Uguay, Montreal, Canada
    • 1988

      • Gallery Artists, Art 45, Montreal, QC
      • Photoperspectives 88, Presentation House Gallery, North Vancouver, Canada
    • 1987

      • Winter City, Institute for Future Studies, University of Akron , Akron, OH
      • Pennsylvania Photographers, Allentown Art Museum, Allentown, PA
    • 1985

      • Photoperspectives 85, Presentation House Gallery, North Vancouver, Canada
    • 1979

      • Pennsylvania Photographers: A Selection of Current Work, Allentown Art Museum, Allentown, PA
  • GRANTS AND AWARDS

    • 2014

      • Scotiabank Photography Award, Toronto, ON, Canada
      • John Simon Guggenheim Memorial Foundation Fellowship in Photography, New York, NY
    • 2010

      • Distinguished Faculty Award for Scholarly and Creative Activities, California State University, Long Beach, CA
    • 2009

      • California State University, Long Beach, SCAC Grant, Long Beach, CA
    • 2007

      • California State University, Long Beach, SCAC Grant, Long Beach, CA
    • 2005

      • Canada Council Travel Grant, Ontario, Canada
      • California State University, Long Beach, SCAC Grant
    • 2004

      • California State University, Long Beach, SCAC Grant
    • 2003

      • PASTA Artist Residency, Joshua Tree National Park, Twentynine Palms, California, CA
    • 2001

      • Canada Council “A” Grant, Ontario, Canada
    • 1999

      • Canada Council “A” Grant, Ontario, Canada
      • Canada Council Travel Grant, Ontario, Canada
      • Center For Land Use Interpretation Artist Residency, Wendover Studio, Wendover, UT
    • 1998

      • Concordia University CASA Grant, Montreal, Canada
      • Canada Council Travel Grant, Ontario, Canada
    • 1997

      • Concordia University CASA Grant, Montreal, Canada
    • 1995

      • Concordia University Fine Arts Special Projects Grant, Montreal, Canada
    • 1994

      • Canada Council Short Term Grant, Ontario, Canada
      • Concordia University Fine Arts Special Projects Grant, Montreal, Canada
    • 1993

      • Concordia University Fine Arts Special Projects Grant, Montreal, Canada
      • Canada Council Short Term Grant, Ontario, Canada
    • 1992

      • Concordia University Fine Arts Special Projects Grant, Montreal, Canada
    • 1991

      • Minister des Affaires culturelles du Quebec, Bourse Type “B”, Quebec, Canada
    • 1989

      • McGill-Queens University Press: Commission to photograph McGill University, Montreal, Canada
      • Canadian Museum of Contemporary Photography Site Survey Commission, Ottowa, Canada
    • 1988

      • King County Office of Historic Preservation: Commission to photograph King County Courthouse, Seattle, WA
    • 1987

      • Ministere des Affaires culturelles du Quebec, Soutien a la creation, Quebec, Canada
    • 1980-1981

      • Concordia University Graduate Fellowship, Montreal, Canada
  • COLLECTIONS

      • Amon Carter Museum, Fort Worth, TX
      • Artotheques d’auxerre, Annecy, Pessac, France
      • Bowdoin College Museum of Art, Brunswick, ME
      • Canada Council Art Bank, Ottawa, Canada
      • Canadian Centre for Architecture, Montreal, Canada
      • Canadian Museum of Contemporary Photography, Ottawa, Canada
      • Center for Photography at Woodstock, Woodstock, NY
      • Cinematheque Quebecoise, Montreal, Canada
      • Cleveland Art Museum, Cleveland, OH
      • Concordia University, Montreal, Canada
      • Copenhagen National Museum of Photography, Copenhagen, Denmark
      • Department of External Affairs, Ottawa, Canada
      • Fonds Nationale d’Art Contemporain, Paris, France
      • Francis Lehman Loeb Art Center, Vassar College, Poughkeepsie, NY
      • Haggerty Museum of Art, Marquette University, Milwaukee, WI
      • Joslyn Art Museum, Omaha, NE
      • King County Office of Historic Presentation, Seattle, WA
      • Los Angeles County Museum of Art, Los Angeles, CA
      • Maison Europeenne de la photographie, Paris, France
      • McLaren Art Centre, Barrie, Ontario, Canada
      • Metropolitan Museum of Art, New York, NY
      • Michael Wilson Center for Photography, Los Angeles, CA
      • Montreal Museum of Fine Arts, Montreal, Canada
      • Musee du Quebec, Ville de Quebec, Canada
      • Museum of Contemporary Canadian Art, Toronto, Canada
      • Museum of Contemporary Photography, Columbia College, Chicago, IL
      • National Bank of Canada, Ottawa, Canada
      • National Gallery of Art, Washington, DC
      • National Gallery of Australia, Canberra, Australia
      • National Gallery of Canada, Ottawa, Canada
      • Nelson-Atkins Museum, Hallmark Cards Collection, Kansas City, MO
      • Nevada Museum of Art, Reno, NV
      • Oklahoma City Museum of Art, Oklahoma City, OK
      • Palm Springs Art Museum, Palm Springs, CA
      • Polaroid Collections, Cambridge, MA Concordia University, Montreal, Canada
      • Portland Art Museum, Portland, OR
      • Princeton University Art Museum, Princeton, NJ
      • Public Archives of Canada, Ottawa, Canada
      • San Francisco Museum of Modern Art, San Francisco, CA
      • Seattle Art Museum, Seattle, WA
      • Smithsonian Museum of American Art, Washington, DC
      • St. Michaels College, University of Toronto, Toronto, Canada
      • Stedelijk Museum, Amsterdam, The Netherlands
      • Tate Modern, London, UK
      • The Herbert Johnson Museum of Art, Cornell University, Ithaca, NY
      • The J. Paul Getty Museum, Los Angeles, CA
      • The Saint Louis Art Museum, St. Louis, MO
      • U.S. Library of Congress, Washington, DC
      • Utah Museum of Fine Arts, Salt Lake City, UT
      • Vancouver Art Gallery, Vancouver, Canada
      • Yale University Art Gallery, New Haven, CT
  • SELECTED BIBLIOGRAPHY

    • 2015

      • Haeusslein, Alile. “Mark Ruwedel. [book review]” Photo-eye Blog 23 July 2015
      • Wolukau-Wanambwa, Stanley. “Into the Abyss: Mark Ruwedel’s Pictures of Hell.” The Great Leap Sideways August 2015
      • Whyte, Murray. “Mark Ruwedel: The lonesome, crowded west.” The Toronto Star 6 May 2015
      • Adams, James. “A photography show that rewards the act of slow looking.” The Globe and Mail 4 May 2015
      • Ollman, Leah. “Mark Ruwedel’s photographs are hell on the eyes.” Los Angeles Times 11
    • 2014

      • Ruwedel, Mark. Mark Ruwedel: Message from the Exterior, Steidl, Germany, 2014
      • Bento, Joao. “In a world where architecture has gone to the dogs, photographer Mark Ruwedel explores beautifully decaying doghouse in the Wild West.” Four & Sons Spring/Summer 2014
      • Walker, David. “Mark Ruwedel Wins 2014 Scotiabank Photography Award.” Photo District News 29 April 2014
    • 2012

      • Knoblauch, Loring. “Mark Ruwedel, Records @ Milo.” Collector Daily 26 March 2012
      • Laluyan, Oscar A. “Mark Ruwedel: Let the Records Show.” Arte Fuse 2 March 2012
    • 2011

      • Les Rencontres d’Arles Photography 2011, Actes Sud, Arles, France, 2011
      • Wolfe, Ann,ed., The Altered Landscape, Nevada Museum of Art, Reno, and Skira/Rizzoli, New York, 2011
    • 2010

      • Mallison, Constance. “Mark Ruwedel: Now it is Dark.” Art LTD September/October 2010
      • Benechou, Anne, ed., Ouvrir le document, Les presses du reel, France, 2010 (illustration, page 125)
      • Clark-Langager, Sarah, ed., Critical Messages: Contemporary Northwest Artists on the Environment, Western Gallery, Western Washington University, Bellingham, WA, 2010
      • Donovan, Daniel, The Donovan Collection, University of St. Michael’s College, Toronto, ON, 2010
      • Jurovics, Toby, Framing the West: The Survey Photographs of Timothy H. O’Sullivan, Yale University Press, New Haven, CT, 2010
      • Miles, Christopher. “Mark Ruwedel: Now it is Dark.” LA Weekly 15 July 2010
      • Knight, Christopher. “Mark Ruwedel at Gallery Luisotti” Los Angeles Times 9 July 2010
      • “Mark Ruwedel: Westward the Course of Empire.” Purpose 10, Spring 2010
      • Ruwedel, Mark, One Thousand Two Hundred Twelve Palms, Yale Art Gallery, New Haven, CT
      • Sandra Phillips, ed., Exposed: Voyeurism, Surveillance and the Camera, Tate Publishing, London, 2010
      • Feeney, Mark. “Western Exposure.” The Boston Globe, July 17 July, 2010, “Western Exposure.” (review)
      • Mallinson, Constance. “Now it is Dark.” The Times Quotidian, 30 July 30, 2010, www.timesquotidian.com/2010/07, “Now it is Dark.” (review)
    • 2009

      • Reed, Justin James. “Mark Ruwedel: Westward the Course of Empire.” Ahorn Magazine #4, 2009, www.ahornmagazine.com, “Mark Ruwedel: Westward the Course of Empire.”
      • Sholis, Brian. “Mark Ruwedel: Yossi Milo Gallery.” Artforum, April, 2009, “Mark Ruwedel: Yossi Milo Gallery.” (review)
      • “A Panorama of the Sweeping Western Landscape.” Railroad History 200, Spring/Summer, 2009
      • Debat, Michelle, L’Impossible Image, Lettres volee, Brussels, 2009
      • “Going On About Town.” The New Yorker 9 March 2009
      • Rosenberg, Karen. “Art in Review.” The New York Times 27 February 2009
      • “Along Western Rails.” The Morning News 23 February 2009
    • 2008

      • Campeau, Sylvain, OIKOS: Habitacles/Habitable Places, SBC Galerie d’art contemporain, Montreal, QC, 2008
      • Culley, Peter, To The Dogs, Presentation House/Arsenal Pulp Press, Vancouver, BC “Photographer Mark Ruwedel: Ticket to nowhere.” The Guardian 4 December 2008
      • “Cover to Cover.” Atlantic Monthly November 2008
      • “Haunting Images of Expansion.” Los Angeles Times 28 November 2008
      • “Vanishing Points.” Los Angeles Times 23 November 2008
      • L’insense photo #6 Paris, France 2008
      • “Mark Ruwedel: The Last Photographer Heading West.” Function Magazine 2008
      • “In Review: Mark Ruwedel.” Canadian Art, vol. 25, no. 1 Spring 2008
      • Round, Phillip, The Impossible Land, University of New Mexico Press, Albuquerque, NM, 2008
      • Ruwedel, Mark, Westward the Course of Empire, Yale Art Gallery, New Haven, CT, 2008
    • 2007

      • “Powers of Ten.” Art LTD January 2007
      • “Alfa Omega.” Blind Spot Issue 34 2007
      • Calado, Jorge. Ingenuity: Photography and Engineering 1846-2006 Calouste Gulbenkian Foundation, Lisbon, Portugal, 2007
      • “Mark Ruwedel: Written on the Land.” CV Photo #73 September 2006
      • “Camera Obscura: Photography as Critique.” X-TRA vol. 10, no. 2, Winter 2007
      • Wiesen, Barbara, On Death and Dying, Colllege of DuPage, Glen Ellyn, IL, 2007
    • 2006

      • “Mark Ruwedel at Gallery Luisotti.” Artweek vol. 37, no. 6 July/August 2006
      • “Mark Ruwedel: Water gone these thousand years.” Blackflash Vol. 23, No. 2 2006
      • “Los Angeles Exhibition Reviews.” Focus August 2006
      • Houston Fotofest, Fotofest 2006 Catalog, Houston, TX, 2006
      • Lienart, Amel and Frederique. Histoires de chaussure, Editions Nicolas Chaudun, Paris, France, 2006.
      • “Around the Galleries.” Los Angeles Times 26 May 2006
      • Wallace, Doug, ed., Carte Blanche: Photography 1, The Magenta Foundation, Toronto, ON, 2006
    • 2005

      • Arnold, Grant. Real Pictures: photographs from the Collection of Claudia Beck and Andrew Gruft, Vancouver Art Gallery,Vancouver, BC, 2005
      • “Mark Ruwedel: Westward at Stephen Bulger Gallery.” Art On Paper July/August 2005
      • Baillargeon, Claude. Imaging a Shattering Earth, Meadow Brook Art Gallery, 2005
      • Cooke, Lynne and Kelly, Karen, eds., Robert Smithson: Spiral Jetty, Dia Art, 2005
      • Cooke Cooper, Marilyn and Hough, Katherine, Contemporary Desert Photography: The Other Side of Paradise, Palm Springs Art Museum, Palm Springs, CA, 2005
      • Crist, Steve, ed., The Polaroid Book: Selections from the Polaroid Collections of Photography, Taschen, Los Angeles, CA, 2005
      • “How The West Was Lost.” The Globe and Mail 26 February 2005
      • Hushka, Rock. Lewis and Clark Territory: Contemporary Artists Revisit Place 2005
      • Lyden, Anne. Paul Strand The J. Paul Getty Museum, LA, CA (“A Vital Spirit”:round table discussion) 2005
      • “The Big Picture” The National Post 26 March 2005
    • 2004

      • Arnold, Grant, Robert Smithson in Vancouver, Vancouver Art Gallery, Vancouver, BC
      • “Behind the Earth Movers.” Art In America April 2004
      • “Nature Under Construction” Chicago Reader 6 February 2004
      • “Late Night With Aaron Brown” CNN 21 April 2004
      • Race and Memory Tacoma Art Museum and University of Washington Press, 2004
      • Robert Smithson in Vancouver Vancouver Art Gallery, Vancouver 2004
      • “Points West” Western Interiors Sept/Oct 2004
    • 2003

      • “Written on the Land.” Afterimage May/June 2003
      • Calado, Jorge, Pedras & Rochas en fotografia, IFT Press, Lisbon, Portugal, 2003.
      • Castleberry, May, ed., The New World’s Old World, University of New Mexico Press, Albuquerque, NM, 2003
      • Cousineau-Levine. Faking Death: Canadian Art Photography and the Canadian Imagination, McGill-Queens University Press, Montreal, QC, 2003
      • Youngs, Christopher. Industry and Entropy. Albright College Center for the Arts, Reading, PA, 2003
      • “Mark Ruwedel: Mondo Novo” Le Monde diplomatique October 2003
      • “Humanity and landscape in ‘The Ice Age.’” Los Angeles Times 17 October 2003
      • Lyden Anne, Railroad Vision: Photography, Travel and Perception, The J. Paul Getty Museum, Los Angeles, CA 2003
    • 2002

      • Blue Sky Gallery, Blue Sky #36, Portland, OR, 2002
      • Boettger, Suzaan, Earthworks: Art and Landscape of the Sixties University of California Press, Berkeley, CA, 2002
      • “Photographs Tell Narratives in Landscape.” The Georgia Straight 26 September 2002
      • Love, Karen, Ed., Mark Ruwedel: Written on the Land, Presentation House Gallery, North Vancouver, BC, 2002
      • “Re-Viewing Photography.” The Photo Review, vol. 25 #1 Winter 2002
    • 2001

      • “Atomic Photographers Guild.” Canadian Art Summer 2001
      • “Mark Ruwedel- Westward: The Course of Empire.” Canadian Art Winter 2001
      • Fitzpatrick, Blake. Visibility and Invisibility in the Nuclear Era Toronto Photographers Workshop, Toronto, ON, 2001
      • “At work in the fields of the blast.” The Globe and Mail 3 March 2001
      • “Mark Ruwedel at Stephen Bulger Gallery.” The Globe and Mail 10 November 2001
      • Jeffries, Bill, Ed. Land, Relationship and Community, Presentation House Gallery, North Vancouver, BC, 2001
      • “Cosa mentale, paysage(s).” Pour Voir May 2001
      • Ruwedel, Mark. The Italian Navigator, Art 45, Stephen Bulger and Francoise Paviot, Montreal, QC, 2001
      • “Photos Document Atomic Devastation.” The Toronto Star 26 February 2001
    • 1999

      • “Mark Ruwedel: Ice Age.” Calapooya Literary Review October 1999 Eastern Oregon University, Neon, Winter 1999-2000
      • Vox Populi, Le Mois de la Photo a Montreal, Montreal, QC, 1999
    • 1998

      • “Monuments.” Artweek July/August 1998
      • Coolidge, Mathew. Around Wendover, Center For Land Use Interpretation Culver City, CA 1998
      • “Pictures of Hell.” CV Photo #43 Summer 1998
      • Humbert, Jean-Marcel. Reve d’Egypte: L’architecture egyptisante vu par trois photographes Mona Bismark Foundation, Paris, France 1998
      • Humbert, Jean-Marcel. France-Egypte: Dialogue entre deux cultures Editions des musees de la ville de Paris, Paris, France 1998
      • Trepanier, Esther. Univers Urbains Musee du Quebec, Quebec City, Canada 1998
    • 1997

      • “The Italian Navigator? The New World.” Descant 96 Spring 1997
      • Garvey, Susan-Gibson. Work, Workers, Works: Rearranging the Land Dalhousie University Art Gallery, Halifax, NS 1997
      • “Cultured Landscapes.” The Globe and Mail 19 April 1997
      • Slemmons, Rod. Water: The Renewable Metaphor University of Oregon Museum of Art, Eugene, OR 1997
      • “The Land as Historical Archive.” American Art Spring 1996, National Museum of American Art, Washington, DC
      • “The Italian Navigator Has Safely Landed In The New World.” Arts Atlantic Winter 1996,
      • “Terre des Hommes.” Descant 94 Fall 1996
      • “Recent Ruins: On Mark Ruwedel’s The Hanford Stretch.” High Ground 1996
      • Phillips, Sandra. Crossing the Frontier San Francisco Museum of Modern Art, Chronicle Books, San Francisco, CA 1996
    • 1995

      • “Land Art Revisite.” Espace Sculpture #34 Winter 1995-1996
      • Le Devoir 21 September 1995
      • Lessard, Michel. Montreal au XXe siecle Les Editions de l’Homme, Montreal, Canada 1995
      • “The Italian Navigator Has Landed- The Photographs of Mark Ruwedel.” Matrix #46 1995-1996
      • Montreal Gazette 23 September 1995
      • Photography Quarterly #62, vol. 16, #1, The Center for Photography at Woodstock, NY 1995
    • 1994

      • Semiotext(e): Canadas Semiotext(e) and Marginal Editions, NY, 1994
    • 1993

      • Ruwedel, Mark, The Hanford Stretch, self-published, Montreal, Canada, 1993
    • 1992

      • Hirsch, Robert. Exploring Color Photography Brown and Benchmark Madison, WS 1992
      • CV Photo #20 Automne 1992
    • 1991

      • Matrix #35 Fall 1991
      • McGill: A Celebration, McGill-Queens University Press, Montreal, Canada 1991
      • The Photo Review, vol.14, #3, Summer 1991
    • 1990

      • Barbour, David. The Landscape: Eight Canadian Photographers McMichael Canadian Art Collection, Kleinburg, ON 1990
      • Ciel Variable #12 Summer 1990
      • Marsan, Jean-Claude. Sauver Montreal Les Editions du Boreal, Montreal, Canada 1990
      • “In Praise of Older Venues.” Montreal Mirror 27 September 1990
      • “Photographer sees the light in old movie theatres.” Montreal Gazette 16 September 1990
      • “Screening Rooms.” Photo Life vol.15, #7 September 1990
      • “Mark Ruwedel: Walker Evans’ Lehigh Valley.” The Photo Review vol. 13, #2 Spring 1990
      • Selections 5: Photographs from the International Polaroid Collection Polaroid Corporation Cambridge, MA, 1990
      • “Cine-Nostalgie.” Voir 13 September 1990
    • 1989

      • Montreal Gazette 21 January 1989
    • 1988

      • The Photo Review Summer 1988
    • 1987

      • King County Landmarks Commission Anniversary Report, King County Office of Historic Preservation, Seattle, WA 1987
    • 1986

      • King County Heritage Resource Protection Plan, King County Department of Planning and Development, Seattle, WA 1986
      • “The Theaters of Montreal.” Marquee: Journal of the Theater Historical Society vol. 18, #44 1986
    • 1985

      • Photoperspectives 85, Presentation House, North Vancouver, Canada 1985
      • Views, vol. 5, #1 Toronto Photographers Workshop May 1985
      • Vie des Arts Montreal, Canada June 1985
    • 1978

      • Portfolio #1 Dannemora, NY Fall 1978